Donnerstag, 11. Juni 2026

A report on FCB # 169 on Friday 05.06.26 featuring Shay McVeigh with stunning photos

 




 Check out  John Hurd's wonderful 3SongsBonn report, entitled
"SUNSHINE & SHOWERS AT FOLK CLUB BONN" on FCB # 169 here:




Shay McVeigh from Belfast was the beadliner at FCB # 169 in June 2026

There are also some more wonderful photos of this evening here:



Thanks very much for this John, a wonderful well written and                 photogenic review of a wonderful evening.

Samstag, 6. Juni 2026

 


Rick Fines at Rüngsdorfer KulturBad on 09.05.26 by 3SongsBonn

 Now, while John Hurd does not travel quite as far and frequently as Bonn Folk Club Committee's female resident stealth photographer Sabine Buttner :

 https://folk-club-bonn.blogspot.com/2026/05/sabines-bilder-vom-auftritt-von-rick.html


They were  both present when Rick Fines played just after FCB #168 at Rüngsdorfer Kulturbad and John Hurd of 3SongsBonn, with his inimitable style, produced a wonderful report which you can read here: 

https://3songsbonn.com/2026/05/14/rick-fines-at-rungsdorfer-kulturbad/


Of course John Hurd would disappear for a few unmissed moments, but just enough to produce these wonderful photos:


https://johnno.jalbum.net/Rick%20Fines/


However, as good a photographer as John hurd undoubtably is, sometimes it is just a matter of luck, and being in the right place at the right time:

 
A reflexive view through the window glass of a smiling Rick, perhaps not perfectly in frame, but as ever enjoying performing as here:

Sometimes in Bonn one can really live the culural "Life of Reilly"  ;-)

https://www.youtube.com/watch?v=QVMpoLUpumE&list=RDQVMpoLUpumE&start_radio=1

A report on FCB # 168 on Friday 01.05.26 by John Hurd of 3SongsBonn with stunning photos!

 Look and listen to John Hurd's wonderful 3SongsBonn report, entitled "Embracing The Unexpected" on FCB # 168 here:

https://3songsbonn.com/2026/05/04/embracing-the-unexpected-at-folk-club-bonn-168/



There are also some more wonderful photos of this evening here:


https://johnno.jalbum.net/Folk%20Club%20May%202026/

Thanks very much for this John, as well as being a wonderful scribe and stealth photographer, you are also an officer and a gentleman and a much esteemed member of the Bonn Folk Club Committee and your remuneration will most certainly be paid in heaven.

FCB # 168 Poet's Corner

 



The artwork titled “The Owl and the Pussycat,” created by Edward Lear, is a romantic illustration deeply rooted in the Romantic art movement. This illustration vividly portrays a whimsical scene where an owl and a cat embark on an adventurous journey together in a small wooden boat. The romantic genre of the artwork captures the essence of fantasy and imagination, reflective of the period’s inclination towards nature and emotion. In the artwork, the owl is depicted serenading the cat with a stringed instrument, most likely expressing affection or narrating a tale, while the cat appears attentive, perhaps in contemplation. The boat they are seated in contains a jar labelled “HONEY” and seems to be sailing smoothly over calm waters. The intricate lines and details highlight the artist’s skill and ingenuity in bringing the poetic narrative to life through visual elements.                                                                          

The Owl and the Pussy-cat, nonsense poem by Edward Lear, published in "Nonsense Songs, Stories, Botany and Alphabets" (1871). One of the best known and most frequently anthologized of Lear’s poems, it was written and illustrated for a young daughter of the English man of letters John Addington Symonds.


                   The Owl and the Pussy-Cat

By Edward Lear    1822-1888

The Owl and the Pussy-cat went to sea
   In a beautiful pea-green boat,
They took some honey, and plenty of money,
   Wrapped up in a five-pound note.
The Owl looked up to the stars above,
   And sang to a small guitar,
"O lovely Pussy! O Pussy, my love,
    What a beautiful Pussy you are,
         You are,
         You are!
What a beautiful Pussy you are!"

II
Pussy said to the Owl, "You elegant fowl!
   How charmingly sweet you sing!
O let us be married! too long we have tarried:
   But what shall we do for a ring?"
They sailed away, for a year and a day,
   To the land where the Bong-Tree grows
And there in a wood a Piggy-wig stood
   With a ring at the end of his nose,
             His nose,
             His nose,
   With a ring at the end of his nose.

III
"Dear Pig, are you willing to sell for one shilling
   Your ring?" Said the Piggy, "I will."
So they took it away, and were married next day
   By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
   Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
   They danced by the light of the moon,
             The moon,
             The moon,
They danced by the light of the moon.




Here is an AI interpretation of the Owl and the Pussy-Cat:


Personally, I think I prefer Edward Lear's original works, of which there are two fine examples of his self-illustrated limericks here:


There was an Old Man with a beard,
Who said, "It is just as I feared!—
Two Owls and a Hen
Four Lars and a Wren
Have all built their nests in my beard!"



There was an Old Man of Coblenz,
The length of whose legs was immense;
He went with one prance
From Turkey to France,
That surprising Old Man of Coblenz.